Table of Content

1 INTRODUCTION
1.1 Study Assumptions and Market Definition
1.2 Scope of the Study


2 RESEARCH METHODOLOGY


3 EXECUTIVE SUMMARY


4 MARKET INSIGHTS
4.1 Market Overview
4.2 Industry Value Chain Analysis
4.3 Industry Attractiveness - Porter’s Five Forces Analysis
4.3.1 Threat of New Entrants
4.3.2 Bargaining Power of Buyers
4.3.3 Bargaining Power of Suppliers
4.3.4 Threat of Substitute Products
4.3.5 Intensity of Competitive Rivalry
4.4 Assessment of Impact of COVID-19 on the market


5 MARKET DYNAMICS
5.1 Market Drivers
5.1.1 Rising Tendency of Increased Expenditures on Global Festivals and Music Concerts
5.1.2 Rise of Audio Equipment in Automobiles
5.1.3 Increasing Demand for HD and Ultra HD Sound Quality
5.2 Market Restraints
5.2.1 Design and Complexity Challenges for the Development of High-Efficiency Audio Equipment


6 MARKET SEGMENTATION
6.1 By Product Type
6.1.1 Mixers
6.1.2 Amplifiers
6.1.3 Microphones
6.1.4 Audio Monitors
6.1.5 Other Product Types
6.2 By End User
6.2.1 Commercial
6.2.2 Automotive
6.2.3 Home Entertainment
6.2.4 Other End Users
6.3 By Geography
6.3.1 North America
6.3.2 Europe
6.3.3 Asia-Pacific
6.3.4 Latin America
6.3.5 Middle East


7 COMPETITIVE LANDSCAPE
7.1 Company Profiles
7.1.1 Yamaha Corporation
7.1.2 Alpine Electronics
7.1.3 Allen & Heath
7.1.4 Kenwood Corporation
7.1.5 Behringer
7.1.6 AKG Acoustics (Harman International)
7.1.7 Peavey Electronics
7.1.8 Krell Industries
7.1.9 NXP Semiconductors
7.1.10 Bryston Ltd


8 INVESTMENT ANALYSIS


9 FUTURE OF THE MARKET