Table of Content

1 INTRODUCTION
1.1 Study Deliverables
1.2 Study Assumptions
1.3 Scope of the Study


2 RESEARCH METHODOLOGY


3 EXECUTIVE SUMMARY


4 MARKET DYNAMICS
4.1 Market Overview
4.2 Market Drivers
4.2.1 Growing Investment by the Record Companies
4.3 Industry Attractiveness - Porter’s Five Force Analysis
4.3.1 Threat of New Entrants
4.3.2 Bargaining Power of Buyers/Consumers
4.3.3 Bargaining Power of Suppliers
4.3.4 Threat of Substitute Products
4.3.5 Intensity of Competitive Rivalry


5 MARKET SEGMENTATION
5.1 By Formats
5.1.1 Online Streaming
5.1.2 Digital (Except Streaming)
5.1.3 Physical
5.1.4 Performance Rights
5.1.5 Synchronization Revenues
5.2 Global Demographics for Music
5.3 Top 20 Music Artists
5.4 Top 10 Streaming Platforms
5.5 Geography
5.5.1 North America
5.5.1.1 US
5.5.1.2 Canada
5.5.2 Europe
5.5.2.1 Germany
5.5.2.2 UK
5.5.2.3 France
5.5.2.4 Rest of Europe
5.5.3 Asia Pacific
5.5.3.1 China
5.5.3.2 Japan
5.5.3.3 India
5.5.3.4 Rest of Asia-Pacific
5.5.4 Latin America
5.5.4.1 Brazil
5.5.4.2 Mexico
5.5.4.3 Rest of Latin America
5.5.5 Middle East and Africa


6 COMPETITIVE LANDSCAPE
6.1 Company Profiles
6.1.1 BMG Rights Management GmbH
6.1.2 Kobalt Music Group, Ltd.
6.1.3 SONY MUSIC ENTERTAINMENT
6.1.4 Sont ATV
6.1.5 Universal Music Group
6.1.6 WARNER MUSIC INC.
6.1.7 Apple Inc.
6.1.8 TIDAL
6.1.9 Curb Records, Inc.
6.1.10 Deezer


7 INVESTMENT ANALYSIS


8 MARKET OPPORTUNITIES AND FUTURE TRENDS