Table of Content

1 INTRODUCTION
1.1 Study Deliverables
1.2 Study Assumptions
1.3 Scope of the Study


2 RESEARCH METHODOLOGY


3 EXECUTIVE SUMMARY


4 MARKET DYNAMICS
4.1 Market Overview
4.2 Introduction to Market Drivers and Restraints
4.3 Market Drivers
4.3.1 Growing Popularity of Music Streaming Services
4.3.2 Increased Live Concerts and Performances
4.3.3 Growing Adoption of Digital Music
4.4 Market Restraints
4.4.1 Privacy Issues
4.4.2 Decline in Physical VolumeSales
4.5 Industry Value Chain Analysis
4.6 Industry Attractiveness - Porter’s Five Force Analysis
4.6.1 Threat of New Entrants
4.6.2 Bargaining Power of Buyers/Consumers
4.6.3 Bargaining Power of Suppliers
4.6.4 Threat of Substitute Products
4.6.5 Intensity of Competitive Rivalry
4.7 Publishing Functions
4.7.1 Acquiring Songs
4.7.2 Administering Copyrights
4.7.3 Other Functions


5 MARKET SEGMENTATION
5.1 By Royalties
5.1.1 Performance
5.1.2 Synchronization
5.1.3 Digital Revenues
5.1.4 Physical Revenues
5.2 Geography
5.2.1 North America
5.2.2 Europe
5.2.3 Asia-Pacific
5.2.4 Latin America
5.2.5 Middle East & Africa


6 COMPETITIVE LANDSCAPE
6.1 Company Profiles
6.1.1 Sony/ATV Music Publishing LLC
6.1.2 Universal Music Publishing Group
6.1.3 Warner/Chappell Music, Inc.
6.1.4 Kobalt Music Group
6.1.5 BMG Rights Management
6.1.6 Songs Music Publishing
6.1.7 Reach Music Publishing
6.1.8 Disney Music Group
6.1.9 Big Deal Music
6.1.10 Black River Entertainment


7 INVESTMENT ANALYSIS


8 MARKET OPPORTUNITIES AND FUTURE TRENDS